As a literary device, an apostrophe is a poetic phrase or speech made by a character that is addressed to a subject that is not literally present in the literary work. The subject may be dead, absent, an inanimate object, or even an abstract idea. A literary apostrophe is designed to direct a reader or audience member’s attention to the entity being addressed as a means of indicating its importance or significance. In addition, apostrophe is also utilized as a way for a character to express their internal thoughts and feelings to someone or something that is not able to respond.
For example, in John Donne’s poem “Death, be not proud,” the poet addresses Death as if it is a living, present person:
Death, Be Not Proud, though some have called thee
Mighty and dreadful, for thou are not so;
By using an apostrophe, the poet is able to share their thoughts and feelings about death as an abstract idea by “speaking” to Death as if it could hear or understand. In turn, this literary device also allows the poet to share their innermost emotions and ideas about death with the reader to create a greater impact.
Most people have heard of apostrophes in terms of punctuation. As a punctuation mark, an apostrophe indicates possession (the student’s book) or an intentional omission of letters or numbers (they’re studying). Though it may appear that apostrophe as punctuation is entirely different from apostrophe as a literary device, there is a similar foundation to their functions. A literary apostrophe is used by writers to allow a character or speaker to address an absent entity as if it/they were present. Like the punctuation mark, the apostrophe in literature is therefore related to an intentional omission. Rather than the omission of letters or numbers, a literary apostrophe refers to an intentional absence of a subject being addressed, thereby calling attention to what is not there.
Apostrophe and personifications are two different terms, but it seems that they are almost the same. The reason is that sometimes poets use apostrophes for inanimate objects or even for abstract ideas. In that sense, it seems that the abstract ideas or things have been personified as the poets bless them with human qualities. Otherwise, an apostrophe is a call to somebody or something absent, but personification is the attribution of human emotions and sentiments to inanimate objects.
As a literary device, apostrophe is used in literature to allow a character to speak to an object, abstract idea, absent person, or someone who doesn’t exist as if it is a living, present person. Apostrophe is effective in a literary work for its dramatic effect, to demonstrate the importance of the object, idea, or absent person, and to allow readers to witness a character’s personal and intimate expression. Here are some examples of apostrophes in literature:
“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven “Nevermore.”And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!
In Poe’s well-known poem, the poet “speaks” to a visiting raven. Though the Raven is “present” in the poem and does repeatedly respond with the word “nevermore,” Poe still incorporates apostrophe as a literary device on behalf of the speaker/poet. The Raven in this instance functions more as an abstraction or symbol than a literal bird with powers of awareness and understanding of human speech. Therefore, Poe’s use of apostrophe in his poem is effective in allowing the reader to “hear” the poet’s internal thoughts and feelings as he projects them onto the Raven by “conversing” with it. This serves to emphasize the poet’s feelings of loneliness and isolation, which provides insight and meaning for the reader.
Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be !
I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to
the nearest stranger -anything that can blow your candles out !
– for nowadays the world is lit by lightning ! Blow out your candles, Laura – and so good-bye.
In Williams’s play, Tom Wingfield suddenly leaves his home behind, along with his mother Amanda and sister Laura, in an attempt to escape their suffocating and dysfunctional family dynamic. Williams utilizes apostrophe at the close of the play to reveal that Laura is still very much a part of Tom’s thoughts and existence. This indicates that, though Tom has physically escaped his mother and sister, he is still tethered to them psychologically and emotionally. Tom speaks directly to Laura, though she is not there. This passage allows the audience to hear and understand what Tom is prevented from saying to Laura “in person” in the play.
Dear God,
They put Sofia to work in the prison laundry. All day long from five to eight she washing clothes. Dirty convict uniforms, nasty sheets and blankets piled way over her head. Us see her twice a month for half an hour. Her face yellow and sickly, her fingers look like fatty sausage.
Everything nasty here, she say, even the air. Food bad enough to kill you with it. Roaches here, mice, flies, lice and even a snake or two. If you say anything they strip you, make you sleep on a cement floor without a light.
How you manage? us ast.
Every time they ast me to do something, Miss Celie, I act like I’m you. I jump right up and do just what they say.
Much of the narration of Walker’s novel is done with the use of an apostrophe, as Celie addresses her thoughts, feelings, and observations to God. This literary device is very effective in its use because the reader is allowed the most intimate view into Celie’s character as she openly expresses her private self to God in her “letters”–something she is not able to do with any of the characters who are actually present in the literary work. In addition, by writing/speaking to God, the reader is able to implicitly trust Celie’s narration of the events and other characters in the novel. Therefore, Celie’s eyes and ears become those of the reader’s, and the expression of her thoughts and feelings to God allows for the reader to have similar omniscience in terms of the story.
There are no direct synonyms for apostrophe. However, there are nearest synonyms such as a footnote, aside, deflection, departure, divagation, or divergence when it comes to the delivery of an apostrophe in dialogs used in a drama or dramatic poetry.